Nymfo - Under Fire

Storming track from Nympho's new(ish) Album Characters. My inner geek digs the samples on there, sounds like CS or something (if anyone knows, hit me up).

Check the rest of Characters, out on Commercial Suicide for more heavy tracks, including the BSE collab Battlefish.

After Action Report: Bloc 2012

So Bloc 2012 crashed and burned.

It's still not really clear what went wrong, although from our vantage point on the ground, the failure seemed to come from a perfect storm of poor organisation, technical problems and issues with the venue. There's still a load of conjecture and rumours running about, and it's not clear whether the full truth will ever come out.

Over the past six years, Bloc has become an increasingly important part of the year for us, and whilst it was a shame to see it move location away from the holiday camps of old, we remained optimistic that it would survive the change in venue and an attempt to break into the UK festival mainstream, especially with such a strong lineup on offer. The disappointment of Friday's fail was crushing because we all had such high hopes for the weekend.

It would be a shame if the Bloc omnishambles were to sink Baselogic, although it is unclear how they will recover from this. Even if they survive the financial cost of refunding the punters and paying off the artists, venue and other huge costs associated with putting on a festival in the UK, the Bloc name will forever be associated with Friday's massacre. It seems that the five years of trust and goodwill generated by Bloc's amazing parties are pretty easily forgotten, although a lot of the internet rage on Facebook and the like appears to be coming from people who had no experience of Bloc before Friday. Whilst a degree of anger is understandable in the light of Friday's events, it is depressing to see the accusations of greed on behalf of the promoters. They've always come across as motivated by the music rather than the bottom line, and it seems that this time they bit off more than they could chew, rather than overselling to make a quick buck. You don't make money from electronic music anyway. Much like D&B, most people would pay £55 not to have to listen to the majority of the Bloc lineup.

Bloc had come to fill a niche in the UK scene that no other festival really met, and it's death is a huge loss for electronic and alternative music in the UK in general. Maybe it'll return, but I'm not holding my breath.

Having said that, before things went south, Amon Tobin's ISAM show was spectacular as ever, and Ray Keith on the Acid Waltzers killed it...

EDIT: Baselogic goes into administration [FACT MAGAZINE]
Refunds aren't looking too likely then.

Also, POSH PEOPLE COMPLAINING! Never would have had this sort of nonsense at Hemsby...

Fanu - Coffee Crazy EP

Finnish producer Fanu has just launched his new Coffee Crazy EP as a pay-what-you-want social networking style deal. If you didn't gather it from the title, this one's all about the hot drinks. Considering most of the posts I've written on this website are the product of a first wave caffeine high colliding with some sort of hangover, I can certainly go with the pro-coffee message.

Anyway, grab the EP and show Fanu some love (whilst sticking it to the BPI or whichever bunch of old people is currently trying to shut down the internet).

State of Mind & Subsonik (Feat. 3PM) - Somebody Stop Me

If you haven't already nabbed State Of Mind's Live album, recorded at Homegrown in Wellington last February, then sort it out now. Check that remix of Sunking!

Also on a Kiwi tip, Concord Dawn have a new album out. Video for These Prison Walls is pretty nifty too.

DJ Shadow - Scale It Back (Calyx & TeeBee Remix)

Lovely Calyx and TeeBee remix business. Check their mix for Friction's Radio 1 D&B show here.

Fifteen Things MCs Say

Anyone who has ever had the misfortune to stand near me on a night out will no doubt have had to put up with one of my rambling diatribes against MCs. Back in the day, I've been restrained whilst attempting to launch a shoe at Wrec and escaped a shanking from some scary blokes after asking a blathering track-suited idiot to shut the hell up and get off the mic during a Sub Focus set (after which he fist-bumped me and gave me a shoutout. I think he rather missed the point of what I was saying).

However, in recent years, I've found myself taking a softer line against the MC and even find some of them almost enjoyable, provided they keep their mouths shut for most of the set and keep the mic turned way down. I can appreciate that some people really quite enjoy the impact of MCs on live D&B and it's gotta be said that some of those lyrical MCs "got mad skillz", but at best they are an acceptable distraction, bigging up the DJs and keeping the crowd going, at worst they can ruin a set.



Anyway, like them or loathe them, MCs are as much a part of drum and bass as swinging is to caravan ownership. The only real qualities required to become an MC are the ability to count up to four and a complete disregard for the mood and enjoyment of your audience. You certainly don't need any real creative skills as MCs have been spouting the same nonsense for the past twenty years. As a result of this, there's a wealth of clichéd rubbish out there in the public domain, free for the taking for those who wish to ply their trade as a master of ceremonies.

Let's have a quick run down of the most common MC lines. I'd imagine you could create some sort of bingo-style drinking game around these, although what with the price of booze in clubs these days and the frequency MCs run out the same tired old lyrics, it could rapidly become quite an expensive evening.

1. "WATCH THE DROP!"
Yeah mate, way to ruin the impact by yelling all over it.

See also:
"Watch the mix!"

2. "This one's for the ladies!"
Any track with female vocals, from Jenna G's wailing to Riya singing about her Amazon delivery failing to arrive, is automatically "One for the ladies" apparently. Seems a little sexist if you ask me. Everyone knows that Netsky is the go to producer for girly D&B these days anyway.

3. "Where's my weed smokers at?!"
Well since the smoking ban came in to force five years ago, they definitely aren't on the dancefloor. Try outside?

4. "OH MY DAYZ!"
Yeah yeah, we all just heard the double drop, no need to go on about it.

5. "If you got two hands lemme see two hands"
Bit discriminatory towards those in the crowd who have lost hands or arms in farming accidents or whilst serving their country eh?

6. "Lemme hear ya Cable\Fabric\Daventry!"
No. Shush.

See also:
"MAKE SOME NOISE!"
"Somebody say bo!"

7. "When I say drums, you say bass..."
"Drums!" "SHUT".
"Bass!" "UP".

See also:
"When I say High, you say Contrast"
When I say Renegade, you say Hardware"
"When I say jobseekers, you say allowance"

8. "INSIDE THE PLACE"
I literally don't know what this even means.

9. "OI OI OI OI!"
Yep, that's generally how drum and bass works, thanks for pointing that out.

See also: "ONE TWO THREE FOUR."

10. "Buddah buddah buddah buddah buddah buddah bo check me one time when you check my flow..."
Jesus wept just shut up!

11. "Who knows this one?!"
EVERYONE knows Racing Green. Please stop ruining it.

See also:
"This one's for the heads that know..."

12. "Ya know we never stop dancing dancing dancing dancing"
Well I'm going outside for a smoke unless you stop singing singing singing singing.

13. "REWIND!"
MCs always seem to shout for a rewind on the worst tracks. Or maybe they're just covering cos the DJ fluffed it. Either way, nothing is more tedious than an MC who's too trigger happy with the rewinds.

See also:
"RELOAD!"

14. "...it's all about the music..."
Then stop rambling over the top of it yeah?

15. "Who's still with me?!"
Nobody, SOD OFF!

MCs aren't all bad news though, sometimes they can be just about bearable (check Conrad and Lowqui) and SP:MC has his moments, provided he's not performing live. The only real way to deal with them is just to go with the flow and try not to get too wound up. Who knows, maybe you'll even end up enjoying yourself?

Logistics - Winter Blues VIP

It's sunny outside! Time for an inappropriately titled Logistics track.

Whilst on the subject of Logistics, where the hell did Fibreglass come from? Seem to remember it popping up in mixes over the past year, but why wasn't it on Fear Not? Biggest oversight since Toy Town was left off Crash Bang Wallop!

Anyone else got this abomination stuck in their head by the way? Mixes frighteningly into Murderation :(