Sunday, 30 May 2010

After Action Report: Bonobo Live at the Roundhouse 29/05/10


Since seeing Simon "Bonobo" Green DJing at The Scala last October, I've been looking for an opportunity to see the guy performing his own stuff live. November's Cinematic Orchestra Roundhouse gig was truly magical, so we arrived in a drizzly Camden with really high expectations for the evening.

A brief snippet of Kota announced that the gig was underway, and from that moment onwards, Bonobo proved to be more than deserving of our anticipation. Simon Green himself wielded the bass guitar, whilst supervising the rest of the band and dishing out the shout outs to various band members when due. Mixing up the well known classics with newer tracks from the Black Sands album, Bonobo got the balance completely right. From the hauntingly beautiful Noctuary, to the more upbeat Kiara, the tracklist was perfectly composed. Andreya Triana provided the necessary vocals during the evening, but for me the stand out of the night was definitely Days To Come, with Kathrin de Boer taking over the vocals and perfectly capturing the smokey attitude of Bajka's original version.


A properly enchanting evening, thoroughly worth the mind boggling ticket price. At one point the two guys in front of me seemed so overcome with emotion that they exchanged their (identical) trilbies. Now that's Animal Magic.

Thursday, 27 May 2010

Questioning Reality In The Condiment Aisle

Browsing the aisles of Costco the other day, picking up giant slabs of toilet paper and over sized trays of pastries that no one would eat, I turned the corner to the area where all the free sample people were battling like relief workers in a disaster zone to get their products to the hungry and the desperate, and was stopped dead in my tracks.



A ghost from my past had returned. Someone I had long thought dead, someone I wasn't even sure had ever existed in the first place. Staring out from what appeared to be a display of barbecue sauces was a photo of the grinning face of a man who seemed to be in a state of divine ecstasy brought on by a plate of indeterminate meats and vegetables. Inscribed beneath this grinning maniac was the legend, "Yes, There Really Is A Mr Yoshida!".

These words hit me like a punch in the stomach. I felt sick, then dizzy, and grabbed out for the trolley to try and maintain my balance. I couldn't believe what I was seeing, but it was true.

It had always been true.


To explain this sudden and unexpected shock, one must return to a different time, a time of youth and of innocence, when Costco was new and exciting, when its promise of 144 Mars Bars for a tenner seemed like the greatest thing in the world. When I was a kid, my parents would drag me round Costco on a Saturday afternoon, and we'd return home with vast trays of cat food, kitchen towel and orange juice.

This was when I first encountered Mr Yoshida.

I didn't go looking for him, and I doubt that he was looking for me. Our meeting was quite by accident. Just another shopping trip to Costco. This time however, things would be different. We trudged round the shop, with the crowds of other Saturday shoppers, buying the usual rubbish, and then I saw it.

At the end of one of the aisles, rising far above me, were hundreds of cardboard palettes containing bottles of a foul looking brown gloop. On the side of each of these cardboard display units was a smiling man proudly stating that, "Yes, There Really Is A Mr Yoshida!".


I had no idea what to think. Immediately my ten year old brain was awash with questions. What the hell was I seeing here? Who had asked this man if there really was a Mr Yoshida? It certainly wasn't me. Why was this box telling me this? Was the happy man on the box so fed up of having to state that there really was a Mr Yoshida that he had launched some sort of weird brown beverage just to stop people asking him the same question over and over again? What lunacy was going on here?

These questions and many more haunted me on the journey home, and continued to fill my every waking hour for the next few weeks. Perhaps the man on the box was Mr Yoshida, but perhaps not. It seemed foolish to imagine that, with a world population of six billion, there wouldn't be a single Mr Yoshida on the planet. I didn't need a box to tell me that there really was a Mr Yoshida, I could have worked that out for myself. But without this bizarre message, I would never have even concieved of such a thing as Mr Yoshida. If there really was a Mr Yoshida, what else was out there, waiting to be discovered? The world had suddenly become a whole lot bigger.

Gradually, I was able to push these thoughts from my mind. Every trip back to Costco, I'd inevitabley see that beaming face and read the words, "Yes, There Really Is A Mr Yoshida!" and the whole episode would kick off again. As time went by however, these questions just became part of the general background noise. As I got older, I stopped going to Costco with my parents, and I forgot about Mr Yoshida. Even when I did go back to Costco, I didn't see the mysterious bottles of brown sauce, or the towering stack of grinning faces. I began to doubt that there had ever even been a Mr Yoshida. Perhaps I'd imagined the entire thing? This certainly seemed more plausible than a packaging manufacturer printing out hundreds of thousands of cardboard trays with the phrase, "Yes, There Really Is A Mr Yoshida!" printed on the side. I had moved on.

This is why the return of Mr Yoshida into my life was so shocking. I had convinced myself that the whole thing had been some sort of weird delusion, and yet there it was, right in front of me.

"Yes, There Really Is A Mr Yoshida!"

Finally these words made sense.



I still don't know what those plastic bottles contain. I think it might be some sort of condiment or marinade or something. I really don't care. I definitely won't ever buy the stuff. I will, however, always remember an advertising slogan so powerful that it caused me not only to question my place in the universe, but also to doubt my own sanity.

Wednesday, 19 May 2010

Scribbler Podcast: Artificial Intelligence & MC Lowqui - Live

I'm normally at my most vocal when whining about MCs ruining D&B. Their constant gibbering gets all over the music, and it really does frustrate me when a track you love drops, only for an MC to shout, "OH CRIKEY, THIS ONE'S NASTY BRUV!"

Just fuck off already!

Having said that, the latest Scribbler Podcast has a brilliant Artificial Intelligence mix, featuring MC Lowqui doing a great job on vocal duty.

Enjoy!
http://djscribbler.com/media/Scribbler-LIVE-ARTIFICIAL-INTELLIGENCE-LOWQUI-23042010.mp3

For more info and more Scribbler Podcasts: http://djscribbler.com/

Friday, 14 May 2010

Turning Back The Clock


It started with Sub Focus.

I wish I could claim to be more old skool than that, but for me, it was all about Sub Focus, or more specifically, his 2005 Breezeblock mix. Then came High Contrast's 2007 Essential Mix. Then a few of the old State of Mind Next Level Shows, ripped from Auckland's 95bFM. Until hearing these mixes, my only D&B experience had been the mighty Black Sun Empire, a wee bit of NOISIA, and some Roni Size tracks that accidentally broke through to the mainstream.

These were the mixes that got me hooked. I can't even remember how these things came into my life, or who set me onto them. I'd imagine they came from a mate's CDRs or a USB stick or something.

It wasn't long after hearing the High Contrast Essential Mix that I downloaded "Now More Than Ever", by Logistics. Since then, I've been a D&B head, and never been able to look back. I've bought more or less every new Hospital CD, a whole stack of Spearhead stuff, and a bunch of other producers’ stuff. I can't stop buying drum and bass, and I can't stop going to D&B nights, whether its Hospital, Spearhead, Ram, Renegade Hardware, Shogun, Lifted, Viper, Med School or whatever.

I've seen Logistics DJ live so many times, it borders on stalking.

Over the last four years, I have spent most of my money either attending D&B gigs, or buying new releases, and file sharing, most often via the internet is totally to blame for this.

I consume vast amounts of drum and bass music. Some of it paid for, some of it downloaded, some of it live, but I know I wouldn't have got nearly so messed up on this stuff if it hadn't been the for the internet, that huge pipe pumping beats and news and gig dates directly into my brain, and this is what scares me.

The politicians and business groups behind the 2010 Digital Economy Act claim that the bill is necessary to protect the future of the creative industries in Britain, but really it will do quite the opposite. Time was when kids would find out about new music from John Peel, publications like NME, or just by getting out there and spreading the word. Over the last decade, the internet has crashed onto the scene, and the entertainment industries have (in some cases wilfully) remained one step behind. The net is now the most important tool for promoting and distributing content, and yet the Digital Economy Act threatens to turn back the clock to 1997. The DE Bill, far from protecting Britain’s digital future, seems more like Ned Ludd kicking his way into a server farm with a sledgehammer and smashing the place up.

I'm not whinging about the DE Bill because I’m worried about not being able to watch new episodes of Lost or South Park. I like buying music. It makes me feel warm and fuzzy to know that I’m supporting the artists who produce the music I love, and whenever I buy a new Logistics release, he can buy some more hats. For me, the internet has opened up a whole world of music and experiences that I may never have discovered without it, and it scares me that other people could be denied these opportunities because of internet censorship and the government bending over backwards to meet the demands of a bald man with a yacht.

Censorship and cutting off peoples’ internet connections can only harm Britain and leave us floundering behind the rest of the world. The country needs a Digital Economy bill, but one that promotes the nation’s digital future and looks forward, rather than tries to provide life support for an industry whose consumer base has moved on without it apparently noticing.


Thursday, 13 May 2010

Catching Up With A Month of D&B

Having been outta the country for a while, I've returned to the UK to find my computer crammed full of podcasts and various other mixes that have stacked up during my absence, some of which are so good I've gotta share the love:

As for old-fashioned, "radio-casts" or whatever they're called, the Radio 1 D&B Show with Fabio and/or Grooverider is usually fairly enjoyable (http://www.bbc.co.uk/programmes/b00948qq). Guest mixes can usually be found ripped and uploaded to dodgy Russian D&B websites shortly after the broadcast. However, it's not a patch on Nerm's old Electro East show on the BBC Asian Network, which was sadly dropped at the start of this year.

Also, Ministry of Sound have started a Monday night D&B show with Hospital Records, Metalheadz and Artificial Intelligence taking turns at hosting. Listen to it here: http://www.ministryofsound.com/radio/artist/DrumBass