Thursday, 23 May 2013

Murdering Fish In The Comoros Islands.

I wrote the bulk of this during an inebriated 7 hour stopover in Nairobi's Jomo Kenyatta International Airport. If you've not been before, it's one of the worst places for any kind of layover, with little to do other than drink 4 Euro Tuskers and try and figure out which clock is telling the correct time. I only just found it the other day, so I thought I'd add some pictures and post the bloody thing.


The Comoros Islands are an archipelago of four volcanic islands (or three island, and Mayotte, it really depends on who you ask) that float in the north of the Mozambique Channel, roughly half way between Mozambique/Tanzania and Madagascar. The town of Chindini lies on the South East tip of Grande Comore, the largest of the Comorian Islands (also one of the world's largest active volcano), where it sticks out into the Indian Ocean and provides the closest point to the neighbouring island of Moheli.


Chindini itself is a windswept maze of concrete and basalt and looks much the same as every other town on Grande Comore, as if a volcano has rolled through a building site. Chindini is built on one of the few stretches of coast not made out of hard black volcanic rock, with the coastline breaking up enough to provide a small natural harbour and beach. As a result, the town is home to the largest fishing fleet in South East Grande Comore and the town's entire population consists almost entirely of fishermen and their families.


I was supposed to be in Chinidini for the whale season, which runs from late July until the end of October, but with the bulk of the Humpbacks apparently having gone south for the summer and a fortnight to kill before my flight back to the UK, I figured that we might as well run out the rest of the time pretending to be fishermen and see if I could make a few quid on the side by fishing it up Comorian style.


We'd roll out onto the beach around 6.00 AM, just as the sun was coming up and the local muezzins were trying to out-bellow each other across the bay. Then, we'd haul the boat down the beach and pile in before high tailing it out to sea, where we'd spend the next six hours hunting down and murdering fish. This mainly involved charging up and down Grand Comore's southern coast in our tiny plastic skiff, running lines out the side, tipped with grisly looking inch long hooks and hilarious plastic squid-like bait until something was stupid enough to fall for our trick and jump on the hook.

The boat itself was little more than a fibreglass hull, roughly patched with resin and paint, with a 25 HP Yamaha outboard (they have to be Yamaha) strapped to the back. Comfortable seating came in the form of a pair of wooden benches, also held in place by large volumes of resin and prone to snapping in rough weather, dumping anyone unfortunate enough to be sitting on them to the floor. A minor comfort was found by sitting on life jackets, rendering them completely worthless as buoyancy aides and also proving practically useless for cushioning blows to the arse in rough seas.


The boat captain and I had a pretty good system worked out for deciding where to go. First, we'd jet out of the harbour and smash through the walls of breakers until we hit the open ocean. If we made it through the waves without capsizing, I'd scan the sea trying to figure out which part looked calmest or most fish filled and yell some instructions in broken Franglais, "Allez a gauche!" or something similar, which Captain Privé would then laugh at and jam the outboard in the opposite direction to whatever I had instructed. Occasionally I'd try and outmanoeuvre him, giving the opposite directions to where I felt we should be going, but he'd always see through my ruse and take us straight into the huge rolling 10 metre nightmare waves. We were a good team. He was the captain, I was ballast to keep the boat from flipping over.


Our main targets were members of the Scrombridae family, including chunky 5 kilo tuna and smaller 2.5 kilo bonito, although occasionally we'd see other fishermen bringing in barracuda, espadon and even sharks. These fish all put up quite a bit of a fight, and whenever we were lucky enough to get a bite, the race was on to pull the 75 metre line in, hand over hand, before either the fish scarpered, the line snapped, or something bigger swallowed our prey. The last 5 metres or so of yanking would always prove the hardest, when the hooked fish would begin thrashing around and trying to swim away from the boat as if it's life depended on it.


Once landed, we'd take turns grabbing the unfortunate victim by the tail or gills and smashing it over the head with a big chunk of wood, until it stopped flapping around and died. This could take several whacks, and get extremely messy, as my blood splattered rash vest and board shorts can attest.



We were pretty lucky with the weather, but the locals would be going out every day, even with huge swells, white capped waves and howling winds. Fortunately, fatalities amongst the Chindini fishing community seem rare, although there were plenty of people ready to tell me stories of men lost at sea and boats capsizing, with night fishing proving the most hazardous of all. Our boat only rolled a couple of times but on both occasions we were able to bail her out and get the motor started again.


Occasionally the whales would pop back up to say hi.



Around midday, we'd head back in to Chindini and try and find a buyer for our catch. Whilst the men of the town are out catching the fish, the women act as brokers, selling off the returning cargo as it arrives back in port. Some of it stays in Chindini, but a lot of the catch is loaded into taxis and buses and shipped along the coast, some of the fish making it as far markets in Grande Comore's capital city Moroni.


So this was the routine as I played at being a fisherman and wrapped up my time in the Comoros. All too quickly I found myself flying back out over Kilimanjaro, heading for the UK and the inevitable drift back into old routines, along with that nagging doubt that any of it really happened.






Probably not.



Tuesday, 6 November 2012

Alex Clare - Treading Water (Lenzman Remix)




Really lovely Dutch remix business from Lenzman. Reminds me of the Summer.

Friday, 13 July 2012

Nymfo - Under Fire




Storming track from Nympho's new(ish) Album Characters. My inner geek digs the samples on there, sounds like CS or something (if anyone knows, hit me up).

Check the rest of Characters, out on Commercial Suicide for more heavy tracks, including the BSE collab Battlefish.

Wednesday, 11 July 2012

After Action Report: Bloc 2012



So Bloc 2012 crashed and burned.

It's still not really clear what went wrong, although from our vantage point on the ground, the failure seemed to come from a perfect storm of poor organisation, technical problems and issues with the venue. There's still a load of conjecture and rumours running about, and it's not clear whether the full truth will ever come out.

Over the past six years, Bloc has become an increasingly important part of the year for us, and whilst it was a shame to see it move location away from the holiday camps of old, we remained optimistic that it would survive the change in venue and an attempt to break into the UK festival mainstream, especially with such a strong lineup on offer. The disappointment of Friday's fail was crushing because we all had such high hopes for the weekend.

It would be a shame if the Bloc omnishambles were to sink Baselogic, although it is unclear how they will recover from this. Even if they survive the financial cost of refunding the punters and paying off the artists, venue and other huge costs associated with putting on a festival in the UK, the Bloc name will forever be associated with Friday's massacre. It seems that the five years of trust and goodwill generated by Bloc's amazing parties are pretty easily forgotten, although a lot of the internet rage on Facebook and the like appears to be coming from people who had no experience of Bloc before Friday. Whilst a degree of anger is understandable in the light of Friday's events, it is depressing to see the accusations of greed on behalf of the promoters. They've always come across as motivated by the music rather than the bottom line, and it seems that this time they bit off more than they could chew, rather than overselling to make a quick buck. You don't make money from electronic music anyway. Much like D&B, most people would pay £55 not to have to listen to the majority of the Bloc lineup.

Bloc had come to fill a niche in the UK scene that no other festival really met, and it's death is a huge loss for electronic and alternative music in the UK in general. Maybe it'll return, but I'm not holding my breath.

Having said that, before things went south, Amon Tobin's ISAM show was spectacular as ever, and Ray Keith on the Acid Waltzers killed it...

EDIT: Baselogic goes into administration [FACT MAGAZINE]
Refunds aren't looking too likely then.

Also, POSH PEOPLE COMPLAINING! Never would have had this sort of nonsense at Hemsby...

Wednesday, 4 July 2012

Fanu - Coffee Crazy EP




Finnish producer Fanu has just launched his new Coffee Crazy EP as a pay-what-you-want social networking style deal. If you didn't gather it from the title, this one's all about the hot drinks. Considering most of the posts I've written on this website are the product of a first wave caffeine high colliding with some sort of hangover, I can certainly go with the pro-coffee message.

Anyway, grab the EP and show Fanu some love (whilst sticking it to the BPI or whichever bunch of old people is currently trying to shut down the internet).

Wednesday, 27 June 2012

State of Mind & Subsonik (Feat. 3PM) - Somebody Stop Me




If you haven't already nabbed State Of Mind's Live album, recorded at Homegrown in Wellington last February, then sort it out now. Check that remix of Sunking!

Also on a Kiwi tip, Concord Dawn have a new album out. Video for These Prison Walls is pretty nifty too.

Tuesday, 19 June 2012

DJ Shadow - Scale It Back (Calyx & TeeBee Remix)




Lovely Calyx and TeeBee remix business. Check their mix for Friction's Radio 1 D&B show here.