Tuesday, 31 August 2010

After Action Report: L.E.D Festival 28/8/2010

As we trekked down to Victoria Park, Hackney, for the first London Electronic Dance Festival (or LED; wonder which came first, the name or the acronym?), we were expecting August rain and mud. Fortunately, the sun came out and the clouds parted. An auspicious sign for what looked to be a great day of music, albeit a weirdly diverse one.


We skipped LED's Friday night, with the headliners David Guetta, Calvin Harris et al. promising largely cheese-flavoured house (great if that's what you're into, but not really the sort of artists anyone would want to pay money to see when you can hear their stuff at a million Lloyd's/Wetherspoons across the country on a Friday night). I'd had a quick look at the Internet chatter, which suggested the first day of the event had been a bit of a shambles, with set times all over the place. It's important to remember however that people always rush to Facebook when they feel even a tiny bit aggrieved with something, so one has to take the e-rage with a pinch of salt and the anticipation of Leftfield and Aphex Twin far over-powered any trepidation.

Anyway, as we approached Victoria Park, everything seemed to be running well. Security weirdly confiscated the lid from my water bottle, whilst missing the eight keys of uncut cocaine in the bottom of my bag, but apart from that there was little trouble retrieving the tickets and getting through the gate. We arrived to the sound of Sub Focus's Timewarp thudding away in the distance and were surprised to find that it actually was Sub Focus, on at three in the afternoon.

Sub Focus - Fantastic set from Mr Douwma, even though he kept veering off into house and dubstep (at least it keeps the kids happy). MC ID largely got in the way of the music (as to be expected) but occasionally shut up long enough for the audience to hear what the DJ was doing. Was amazing to hear Xample and Lomax - Link To The Past go off loud, and it's impossible to get bored of Last Jungle and Rock It, no matter how much it's been run into the ground over the last few years.

Professor Green - Pretty good performance, even though Grime isn't really of interest to anyone ever. General opinions seem to be that he sounded like Eminem, but that this was a good thing.

Shy FX - Lovely, solid drum and bass from a DJ that for some reason I've always found it hard to get excited about, even though he's done great sets in the past. Opening with SL2 - On A Ragga Tip set up the perfect festival vibe and with the absence of an MC, Shy FX's set was actually more satisfying the Sub Focus's.

Boy Better Know - Lots of shouting men. Meh.

Annie Mac - Functional set from the Radio 1 DJ. Wasn't expecting anything special, but the crowd seemed to be enjoying it. The overpriced beer/cider double team must have been working its magic by this point.

Goldfrapp - For a festival with only two stages and not that many acts, the fact that Goldfrapp clashed with Aphex Twin was pretty unforgivable, although perhaps the organizers felt that Aphex's abusive electronic hatenoise and Goldfrapp's airy synthpop would have little crossover appeal. Anyway, we missed the start of Aphex to see Goldfrapp, but for this I have no remorse. Goldfrapp gave an awesome performance, with Alison Goldfrapp seemingly dressed as a swarm of bees, mixing older tracks with newer stuff as the sun set over Hackney. Lovely stuff.

Aphex Twin - Despite missing the start of Richard D. James' LED performance, we fortunately arrived in time to feel the full force of his deranged techno throatpunch. As his set built to a thunderous climax, it felt like being trapped in the boot of a taxi whilst dinosaurs pound on the outside, shining lasers and strobes in through the keyhole (i.e. he smashed it).

Leftfield - Being the last act, everyone flocked to the main stage to catch Leftfield in action, so there was no way to get near the front and feel the full impact of the band. Leftfield will always hold a special place in my heart, as Leftism was one of my first albums, and it was fantastic to hear so many tracks dropped. Space Shanty, Afrika Shox, Open Up, Afro-Left; they all still pack a one hell of a punch, and when Phat Planet inevitably went off for the encore, my head exploded.

So overall, LED was certainly a great day out, with even the shit selection of overpriced beer and slightly dodgy timetabling not enough to hold it back. The only major problem had to be that the sound levels were all over the place. I assumed this was due to evil sound technicians messing with the drug munchers, but it was more likely the result of licensing restrictions. Was quite a shame though, because a little more oomph would have pushed Leftfield into the stratosphere.

Will be interesting to see if LED happens again next year. Certainly one to keep an eye on.

Tuesday, 24 August 2010

ShockOne - Polygon VIP

Since the early nineties, depleted uranium has been used in a variety of military roles by US and NATO forces. The extremely high density of uranium-238 has lead to its deployment in both armour plating and, more controversially, in the production of armour piercing munitions. The high density of uranium-238 gives munitions better armour penetrating capability and increased range, and has lead to its use in various weapon systems including those used by the A-10 Thunderbolt and Bradley Fighting Vehicle.


The use of depleted uranium in warfare remains controversial, due to the toxicity of uranium metal and it's long physical half-life. There are fears that areas in which depleted uranium munitions have been deployed could remain contaminated for long periods of time, potentially harming civilian personnel after hostilities have ended.

The medical risks from depleted uranium remain the subject of debate, with multiple studies suggesting a link between various genetic, reproductive or neurological effects resulting from chronic exposure. Despite this, the World Health Organization states that there is no definite evidence linking depleted uranium use and increased incidences of these conditions.

As a result of these possible health risks, the European Parliament has repeatedly called for a moratorium on the development and use of depleted uranium-based munitions, and has been repeatedly ignored by both France and the UK. Depleted uranium weapons remain in use globally, with the US being the largest global consumer.

Fortunately, need for DU munitions may soon be at an end, thanks to Australian producer ShockOne's ridiculous Re-Fix EP, dropping September 20th. Whilst the original cut of Polygon was pretty huge, the VIP clocks in at a ridiculous 24.6 g/cm3 density, making it cheaper and heavier per gram than depleted uranium, but without the long term radiation hazard.



Probably does cause tinnitus though.

http://www.bandepleteduranium.org/

Saturday, 21 August 2010

Apex - Inner Space



Look, we all know Apex is amazing. You don't need me to remind you that his incredible remix of Just One Second was one of the best tracks of 2009, or how awesome Gonzo is, or how fantastic his back catalogue is, but listen to Inner Space.

Now listen again.

It's like Ulrich Schnauss running on uppers.

Amazing.

Thursday, 19 August 2010

Colossal Random Movement Podcast


Random Movement has just launched podcast #12 into the Internet and it's an absolute liquid D&B monster, consisting of pretty much everything he's ever produced.

Clocking in at an epic two hours and fifty minutes, it's exactly the same as the length of time required to drive from High Wycombe to Great Yarmouth (provided there's no accidents on the A11).

Coincidence? I think not.

Mix and tracklisting HERE.

Monday, 16 August 2010

Commix - Double Double



Been a while since we've heard anything from the Commix, but here's a delightful, deep roller that reminds you just how awesome they are.

Hold tight for Re:Call To Mind, a Call To Mind remix album due out in October, and if you didn't grab Cold Kiss (with help from Logistics) off SoundCloud whilst it was up, you can still hear it here.

Saturday, 14 August 2010

TicketMaster Spam Email Predicts End of World

Jesus Christ.

Look at this shit:


Thank you TicketMaster. Truely a prediction as dire as this can only mean that the Elder Gods are stirring and the weeping throngs of mankind must prepare for millenia of hellfire and damnation.

In other, better, news, S.P.Y's lovely By Your Side been confirmed for a November release (on Spearhead no less), so maybe there is hope for us yet.

Also, Cyantific has released an incredible D&B/Electro/Dubstep/D&B mix which everyone should hear.

RIGHT NOW.

Thursday, 12 August 2010

LCD Soundsystem - This Is Happening

I've been trying for a while to work out why I like LCD Soundsystem.

James Murphy isn't a D&B producer, and is surely therefore of little importance in mankind's future survival as we speed headlong into the last few days of our fossil-fuel driven consumerist empire and smack bang into a Malthusian, Mad Max hell-scape.

I mean seriously, what use is dance punk going to be for protecting your family during the energy blackouts and food riots that will come to dominate the latter half of of the 2010s?

I'll tell you what fucking use it's gonna be.

This Is Happening is an album built out of the music I grew up on, and the music I found when I first discovered that there was a world of stuff available outside the narrow group of artists that the radio deemed to have value. It positively reeks of Eighties post-punk synthpop and of the New Wave bands that inspired it. Bowie, Eno, David Byrne and Talking Heads, Blondie, Joy Division, New Order, Gary Numan and a hundred others. They're all there.

Run up on "Drunk Girls" (decried by many as shit upon it's initial release) and tell me that isn't 1970s Bowie. "Pow Pow" has more than a touch of Talking Heads' 1979 headkicker "I Zimbra" and "All I Want" channels Joy Division's Transmission with all the respect and appreciation that the original masterpiece deserves.

And then we get to "I Can Change".



The problem with Sound Of Silver was that following the two hit combo of "Someone Great" and "All My Friends" in a satisfactory manner was always going to be impossible. Here were two songs of such massive power and beauty that the tracks to follow seemed hollow afterwards. All My Friends is particularly bad for this, as it builds over seven and a half minutes to an intense climax that just leaves the listener feeling drained and lost. It'll probably even make you cry if you hear it in the right state of mind/intoxication. How Pat Mahoney can keep drumming to that thing does my head in every time.

Anyway, whilst I Can Change is no All My Friends (and definitely isn't trying to be either), it certainly has the same effect, being as it is the best track on the album and appearing as it does right in the middle of the tracklist, leaving you wondering where the album can possibly go next. Fortunately, "You Wanted A Hit" switches the album into a more downbeat recovery mode, and avoids the sudden mid album crash that always seemed to afflict Sound of Silver.

I'd go as far as to argue that there isn't a dud track on the This Is Happening. Since the first album, James Murphy has been suggesting that it's time to bring an end to the LCD project, but going on the strength of This Is Happening, I'd say that this soundsystem hasn't yet run it's course.

So why do I like LCD Soundsystem and why the hell do they matter? I guess it's because James Murphy trips the same receptor cells as David Byrne did all those years ago. Through LCD, Murphy has created a dedicated tribute to the music that he loves, but he's also an incredibly talented lyricist, with a dry, despairing sense of humour that you'll struggle to find anywhere else. Listening to This Is Happening might make me feel all nostalgic, but it would be a serious injustice to say that it isn't a fantastic album in it's own right.

So what if LCD Soundsystem isn't drum and bass? Sure, it won't help fight off the roving bandit gangs and irradiated hordes of 2019, but I know that, barricaded deep within my bunker, as I open up one of my last few cans of dog food, I'll be able to listen to LCD Soundsystem, and it'll remind me of what life was like before the collapse of society, and maybe I'll feel just a little bit better.

Monday, 9 August 2010

Danny Byrd - Ill Behaviour



Yeah, sorry about it being an Annie Mac rip, but the track is so good I had to post it.

You know it's gotta be Danny Byrd when the distorted vocorder vocals go off, and he's back once again with another solid chunk of super-charged dancefloor D&B.

Packing more energy than a benzedrine-infused Red Bull and backed up with that Ill Behaviour sample running up the nostalgia factor, I'd guess we'll be hearing a lot more of this over the rest of the year.

New album is due to drop in October and it's definitely one to watch. If you haven't heard it already, check out Liberation here, although it's pretty much ruined by the 1Xtra bumps and shit MCing.

Wednesday, 4 August 2010

LTJ Bukem - FABRICLIVE Promo Mix


If you've never seen LTJ Bukem live, then you've never really seen liquid drum and bass.

Anyway, he's gone and done a promo mix ahead of last Friday's Fabriclive (always first for breaking news here), so check it out.

MC support provided by the very talented Conrad. Shit MCs take note, it's not a case of just yelling, "let's here it for my DEEJAAAAY" all over the drops. You gotta have at least some sort of harmony with the music too.

LTJ Bukem - FABRICLIVE Promo Mix

Monday, 2 August 2010

DJ Fresh - Gold Dust



A couple of years ago, you couldn't go out to a D&B night without hearing Gold Dust dropped at least twice (along with Chase and Status' Take Me Away and Danny Byrd's Shock Out).

Now, with Fresh's new album Kryptonite about to drop, the original club banger has been re-released as a pop music bastardisation, leading to it getting quite a bit of Radio 1 airplay, and I fucking love it.

I dunno whether it's the strength of the original track shining through, or Ce'cile's fantastic vocals, but I'm really digging Gold Dust right now, despite the fact that Drum and Bass is serious business and this track is as far removed from serious as you can get.

Fresh has already had mainstream success with Hypercaine and Gold Dust deserves to do as well if not better. The album should be rather good too, packing as it does the monstrous Heavyweight.